The Image of Ireland
This plate appeared in John Derricke's anti Irish work "The Image of Ireland" published in 1581. It shows a traditional Irish feast with a harper playing for the host. Despite the strings of the harp being wrongly drawn, it does show the status of the harper in Irish society at the time.
The Image of Ireland
The Image of Ireland
This plate appeared in John Derricke's anti Irish work "The Image of Ireland" published in 1581. It shows a traditional Irish feast with a harper playing for the host. Despite the strings of the harp being wrongly drawn, it does show the status of the harper in Irish society at the time.
Anglo-Irish groat 1534
This is an Anglo-Irish groat coin dated 1534. It shows a crowned harp.
Courtesy of Merlin/Wolfhound Press
Anglo-Irish groat 1534
Courtesy of Merlin/Wolfhound Press
Anglo-Irish groat 1534
This is an Anglo-Irish groat coin dated 1534. It shows a crowned harp.
Courtesy of Merlin/Wolfhound Press
From early times to the end of the 19th Century Ireland is unique in having a musical instrument, the harp, as its national emblem.
From antiquity to its decline in the early nineteenth century the harp was at the social centre of Ireland. Up to at least the seventeenth century harpists enjoyed a high status among all other musicians and in society. The woodcut illustrating an Irish feast in John Derrick's Image of Ireland (1581) shows the bard praising the harpist (who plays an incorrectly drawn harp) while the host or chieftain looks on.
In the turbulent seventeenth century traditional musicians were outlawed or at least required a magistrate's permission to travel. However, new settlers in the country fell into the Irish pattern of cultivating the harp and its music. With the disappearance of the old Gaelic society traditional harpers became itinerant musicians travelling from one patron's house to another to earn a living. Carolan is a typical example of this and is often called the last of the Irish bards.
By the nineteenth century harp making declined, society and tastes changed and this way of life died out.
The harp is represented on early Christian stone crosses from the eight and ninth centuries and in early manuscripts. Usually the harpist resembles the biblical King David thus reflecting the prestige of the musician.
In about 1534 Henry VIII had a crowned harp appear on the Anglo-Irish silver groat (or 4 pence) and half groat coins.
After this, the harp on a blue background features on various official royal occasions. It is on Queen Elizabeth I's charter to Dublin city in 1583. A banner with harp emblem was carried at her funeral in 1603. King James I incorporated the harp in the royal arms and standard of Britain in 1603 where it still remains.
Seal of the United Irishmen
The United Irishmen (1791-1798)devised a seal incorporating the harp to represent Ireland with the slogan it is new strung and shall be heard. The red cap of liberty, presented to freed Roman slaves, is included.
Courtesy of Merlin/Wolfhound Press
Seal of the United Irishmen
Courtesy of Merlin/Wolfhound Press
Seal of the United Irishmen
The United Irishmen (1791-1798)devised a seal incorporating the harp to represent Ireland with the slogan it is new strung and shall be heard. The red cap of liberty, presented to freed Roman slaves, is included.
Courtesy of Merlin/Wolfhound Press
The harp on a green background symbolising Ireland first appeared in July 1642 when Eoghan Rua O Neill returned from Spain to head the Ulster armies in the 1641 rebellion. Gradually the green flag with yellow harp came to be seen as the emblem of Ireland. The tricolour did not come into use until he 1916-19 period.
The Society of United Irishmen was instrumental in the development of the harp as a national symbol, particularly during the 1798 rebellion.
The Society's seal device shows an elaborate harp with two mottoes " It is now strung and shall be heard" and "Equality". The cap of liberty, replacing the imperial crown, recalls that given to freed Roman slaves and is a recurring freedom motif in classical art.
Robert Emmet tried to continue the United Irishmen's revolution in 1803. He used a similar flag with the slogan "Erin go Bragh".
The national flag, throughout the nineteenth and twentieth centuries, was known as the Green Flag and always showed a gold harp on a green background. All national movements, the Repeal Association, the Fenians, the Home Rule movement and others, used a version of this flag. Many songs of the time celebrate the Green Flag.
The tricolour, inspired by the French revolution, was used with the Green Flag and both were flown during the 1916 Rising. In 1922 the Irish Free State officially used the tricolour and through usage it became the national flag.
Gallery
The harp is one of the oldest and most distinctive national emblems in the world. It holds a unique place in the cultural identity of Ireland and its evolution as an Irish icon is traceable from the thirteenth century to the present day.Wolfhound Press have kindly given permission to use material from this publication. Courtesy of Merlin/Wolfhound Press In 1603 James I incorporated the harp to represent Ireland on the royal arms and standard. It remains there to the present day. The harp has long been used to represent Ireland. Courtesy of Merlin/Wolfhound Press Robert Emmet tried to continue the revolution begun by the United Irishmen of 1798. His flag incorporated the harp under the cap of liberty given to freed Roman slaves and the slogan Erin go bragh. Courtesy of Merlin/Wolfhound Press
The Irish Harp Emblem
The Irish Harp Emblem - Courtesy of Merlin/Wolfhound Press
Coat of arms of the English monarchy incorporating the arms of Ireland
Coat of arms of the English monarchy incorporating the arms of Ireland - Courtesy of Merlin/Wolfhound Press
Robert Emmet's flag, 1803
Robert Emmet's flag, 1803 - Courtesy of Merlin/Wolfhound Press
