What are The Talkies? (2024)

FAQs

What were talkies in the 1920s? ›

The primary steps in the commercialization of sound cinema were taken in the mid-to-late 1920s. At first, the sound films which included synchronized dialogue, known as "talking pictures", or "talkies", were exclusively shorts. The earliest feature-length movies with recorded sound included only music and effects.

Talkies and talking pictures are informal terms for films incorporating synchronized audible dialogue rather than readable text plates. The terms were widely used in the late 1920s and early 1930s to distinguish sound films from silent films.

How talkies changed film. Beyond revolutionizing how stories were told on screen, talkies changed the way films were produced and distributed. Since most theaters in the 1920s used live orchestras and not projected sound, they didn't have the equipment needed to play sound films.

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The arrival of sound produced a sharp upsurge in movie attendance, which jumped from 50 million a week in the mid-20s to 110 million in 1929. But it also produced a number of fundamental transformations in the movies themselves. As Robert Ray has shown, sound made the movies more American.

The rise of "talkies" from the late 1920s onwards led to a radical shake-up of the entertainment industry. Live entertainment went into decline and variety theatres became movie palaces, where eager punters could see exactly the same entertainment as their fellows in Los Angeles, Berlin or Bombay.

Early sound films, starting with The Jazz Singer in 1927, were variously referred to as the "talkies", "sound films", or "talking pictures".

Modern Times is a 1936 American part-talkie social comedy film written and directed by Charlie Chaplin in which his iconic Little Tramp character, his last performance as the character, struggles to survive in the modern, industrialized world.

With sound-on-film technology both stabilized and improving by 1932, movies with a soundtrack—called “talkies,” in reference to the increasingly robust dialogue between the characters—swept much of the globe. As a major generator of talkies, Hollywood rose to become the cultural-commercial powerhouse we know today.

In 1927, The Jazz Singer was the first feature length film to include sound. By the early 1930s, the silent film era was over as “talkies” became a theatre sensation.

What year did talkies start? ›

The gradual transition from silent films to talkies took place between 1926 and 1930 and included many small steps — both technological developments and adjustments to audience expectations — before it was complete.

The first color cinematography was by additive color systems such as the one patented by Edward Raymond Turner in 1899 and tested in 1902. A simplified additive system was successfully commercialized in 1909 as Kinemacolor.

The Jazz Singer, American musical film, released in 1927, that was the first feature-length movie with synchronized dialogue. It marked the ascendancy of “talkies” and the end of the silent-film era.

Talkies brings imagery to a conscious level, serving as a basis for oral language expression and language comprehension.

They used small microphones instead of big horns to collect the sounds, and they had devices called amplifiers that could make those sounds louder. With electricity, they could make recordings that were loud enough for everyone in a large movie theater to hear.

The 1927 movie that included dialogue as well as music was “The Jazz Singer” with Al Jolson. Being the first “talkie” this movie ushered in a new era of filmmaking and marks the end of the silent era.

The change in architecture, as cinemas looked to be rebuilt to cope with the acoustics of talking pictures. The effect on employment, as tens of thousands of musicians who provided live soundtracks lost their jobs virtually overnight. The change in manufacturing, as studios and cinemas had to be re-equipped.

The gradual transition from silent films to talkies took place between 1926 and 1930 and included many small steps — both technological developments and adjustments to audience expectations — before it was complete.